Kamis, 26 Maret 2015

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[(My Alexandria: Poems)] [Author: Mark Doty] published on (June, 1993), by Mark Doty

  • Published on: 1993-06-01
  • Binding: Paperback

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Sabtu, 21 Maret 2015

[G171.Ebook] Download The Phoenix Guitar Company's Guide to Guitarmaking for the Small Shop: A Step-by-Step Approach, by George S. Leach

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The Phoenix Guitar Company's Guide to Guitarmaking for the Small Shop: A Step-by-Step Approach, by George S. Leach

The Phoenix Guitar Company's Guide to Guitarmaking for the Small Shop is an easy-to-follow, step-by-step guide describing how three very different types of guitars (steel string, archtop, and classical) can be built using very similar methods. In a small shop, where space (and manpower) is limited, a guitarmaker needs to optimize his or her working area and methodology. This book demonstrates how to simplify procedures in a shop, allowing the guitarmaker to build several types of guitar without needing lots of room.

The Phoenix Guitar Company's Guide to Guitarmaking for the Small Shop includes over six hundred photos and illustrations, along with tips, recommendations, and jigs to help beginners and advanced builders alike.

About the Author

George S. Leach spent most of his career as a design engineer and engineering manager at Intel Corp. He began working on guitars as a hobby in 1988, and in late 1989, he built his first guitar. A local musician saw this guitar, ordered one, and suddenly George found himself in business. He continued to build guitars in his spare time until 2006, when he took early retirement from Intel, and went fulltime into the guitarmaking business. Since that time, he has taught numerous guitarmaking classes, including steel string, archtop, and classical guitar construction, and continues building guitars out of his new shop in Torrance, California.

  • Sales Rank: #218287 in eBooks
  • Published on: 2015-05-21
  • Released on: 2015-05-21
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Packed with photo's taking you through the steps of guitar making.
By Dennis
I took a Building guitar class with George Leach ( my 12 string pictures attached ) and found him to be very knowledgeable and easily understood. He made the process of building a guitar simple for me to understand. I have since been teaching how to build Ukulele's and everything I learned from George has also been applicable to share with my students. I will now recommend this book to my students as added information on the art of luthierie. If your interested in building your own guitar and want personal guidance like I had contact George at the Phoenix guitar company I know he is starting a summer class soon .... Worth it!

2 of 2 people found the following review helpful.
Very High Level.
By Amazon Customer
The book is very high level, with very brief discussion of technique and alternatives. The processes are usually based on using jigs that are pictured in use, but with no detailed plans for construction or detailed description of their use. It may be more understandable for an experienced guitar builder, but why would an experienced builder need this high level description? I would go with one of the more detailed books.

0 of 0 people found the following review helpful.
I really like the format of this book
By jrgcpa
I really like the format of this book, although, for me, the Kindle edition did not always show the explanation related to the pictures on the same page that the pictures are on. No big deal really.

This book is definitely NOT intended to be a sole, stand alone, resource for the first time builder, but it does show pictures of essentially every step involved in building a guitar. Each picture is accompanied by a short paragraph explaining what is being done in the related picture. Of course there are aspects of building a guitar which simply cannot be adequately described or taught in a short paragraph. As the author states, this book would be a very nice book go along with the live-taught guitar building course that the author teaches.

I really liked that the author showed, in pictures, his small shop's, more or less, modern day approach to building guitars, where rather than using a lot of hand tools such as planes, etc, he, for example, uses a drum sander to thin the guitar plates and a router to make the dovetail neck joint. It seems that so many of the existing books on guitar construction assume that the builder does not have access to a woodworking shop with routers and power sanders, etc. As it's title suggests, this book definitely assumes that the guitar is being constructed in a small (woodworking) shop setting.

One quirk that kind of "irked" me was that on numerous occasions, the author describes using a specialized jig for accomplishing a given building process, but sadly, he offers no detailed description of the jigs he is using. Maybe they are secret or something??? I would have rated the book 5 stars had he provided more details about the various jigs he uses in his shop...(Maybe an idea for his next book???)

Anyway, the bottom line is that this is a good book for ANY guitar maker, and I believe that everyone who reads it will come away with at least one new idea to help them with their guitar making.

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Jumat, 20 Maret 2015

[B222.Ebook] PDF Download Estimating Construction Costs (6th Edition), by Peurifoy

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Estimating Construction Costs (6th Edition), by Peurifoy

Paperback International Edition, Exactly same contents as the US edition. Published in Asia ISBN 9789339221911

  • Sales Rank: #380347 in Books
  • Published on: 1762
  • Dimensions: .0" h x .0" w x .0" l, 1.60 pounds
  • Binding: Paperback
  • 592 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
May just be the best estimating book out there
By Andrew Z.
Really good book, gives a lot of great and concise information without going into too much unnecessary details. The worked out, step-by-step examples are great. Really easy to wrap your head around the information this book is giving you, no other estimating book is quite as good as this one, highly recommend it.

3 of 3 people found the following review helpful.
Good Overall Summary of Cost Estimating
By Anastacio Perez
This book was introduction and overall view of estimating construction projects. I work in facilities management working on various construction projects, and this book definitely helped getting some realistic budget numbers to my superiors. I would recommend this to anyone looking to learn about estimating.

0 of 0 people found the following review helpful.
Great book. Easy to follow and great problems and
By Amazon Customer
Great book. Easy to follow and great problems and examples

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Kamis, 19 Maret 2015

[F341.Ebook] Fee Download Criminal Procedure for the Criminal Justice Professional, by John N. Ferdico, Henry F. Fradella, Christopher D. Totten

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Criminal Procedure for the Criminal Justice Professional, by John N. Ferdico, Henry F. Fradella, Christopher D. Totten

With CRIMINAL PROCEDURE FOR THE CRIMINAL JUSTICE PROFESSIONAL, Eleventh Edition, you'll have everything you need to develop a comprehensive understanding of the legal rights, duties, and liabilities of criminal justice professionals. This timely book presents a uniquely practical, real-life approach to criminal procedure, which makes it an ideal reference book as you begin your career. Using clear and concise statements of criminal procedure law and understandable explanations of the reasoning behind the law, authors John N. Ferdico, Henry F. Fradella, and Christopher Totten clarify potentially confusing and obscure legal matters. Additionally, they reduce the complexity of criminal procedure law into simple, straightforward guidelines and recommendations, illustrated with interesting examples of actual cases.

  • Sales Rank: #42303 in Books
  • Brand: Example Product Brand
  • Published on: 2012-01-22
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.20" h x 8.00" w x 10.00" l, 3.00 pounds
  • Binding: Hardcover
  • 672 pages
Features
  • Example Bullet Point 1
  • Example Bullet Point 2

About the Author
John N. Ferdico holds a J.D. from Northwestern University School of Law and a B.A. in Sociology from Dartmouth College. He is a former Assistant Attorney General and Director of Law Enforcement Education for the State of Maine. Other books he has published are FERDICO'S CRIMINAL LAW AND JUSTICE DICTIONARY and the MAINE LAW ENFORCEMENT OFFICER'S MANUAL. Ferdico currently writes and runs a legal publishing company in Bowdoinham, Maine.

Henry F. Fradella is a Professor in and Associate Director of the School of Criminology and Criminal Justice at Arizona State University. He earned a B.A. in psychology from Clark University, both a master's in forensic science and a J.D. from The George Washington University, and a Ph.D. in interdisciplinary justice studies from Arizona State University. In addition to having published more than 75 scholarly articles, comments, and reviews, Dr. Fradella is the author of eight other books, including four published by Wadsworth: AMERICA'S COURTS AND THE CRIMINAL JUSTICE SYSTEM; CRIMINAL PROCEDURE FOR THE CRIMINAL JUSTICE PROFESSIONAL; KEY CASES, COMMENTS, AND QUESTIONS ON SUBSTANTIVE CRIMINAL LAW; and FORENSIC PSYCHOLOGY: THE USE OF BEHAVIORAL SCIENCE IN CIVIL AND CRIMINAL JUSTICE. Dr. Fradella has twice served as a guest editor of the Journal of Contemporary Criminal Justice and as the Legal Literature editor of West's Criminal Law Bulletin for four terms (Volumes 41-44). A fellow of the Western Society of Criminology, he currently serves as the editor of the society's journal, Criminology, Criminal Justice, Law & Society. He teaches a variety of courses, including criminal law, criminal procedure, courts and judicial processes, and forensic psychology.

Christopher D. Totten has an A.B. from Princeton University, and a J.D. and LL.M. (Masters in Law) from Georgetown University Law Center. He is a member of the State Bar of Maryland and has worked as an attorney and client advocate at a number of law firms. He is an Associate Professor of Criminal Justice (Law) at Kennesaw State University, where he teaches numerous law and criminal justice courses to undergraduate and graduate students. His scholarship spans criminal law and procedure, international crime (with a focus on adjudication), and interdisciplinary law and social science research (with a focus on courts/ jurisprudence and police attitudes). He has published in key journals such as the Journal of Criminal Law and Criminology, the Criminal Law Bulletin, the New Criminal Law Review, the Berkeley Journal of International Law, and the Georgetown Journal of International Law. Finally, he is the criminal law commentator for the Criminal Law Bulletin (Volumes 46-51).

Most helpful customer reviews

2 of 2 people found the following review helpful.
Good
By Pen Name
Good book, needed it for class but it is pretty informative and easy to read. Would recommend the 10th edition though if you need to save money, essentially the exact same book the only difference is that the exclusionary rule is in different chapters

0 of 0 people found the following review helpful.
I ordered one that was in good condition and at first I thought it was okay
By Toriah
I purchased this book for school. I ordered one that was in good condition and at first I thought it was okay. The more I got into the book there was some writing and highlighting and now that I'm in the middle of the book even just having the book open is making the book fall apart. There was a part in the middle where it was starting to fall apart but its just getting worse and worse. With ordering a book that is in good condition I wouldn't except this to happen, and not after using it for 2 weeks.

0 of 0 people found the following review helpful.
Easiest Transaction!
By cindy l. morales
Love the idea of renting a textbook - the prices are unbeatable! The only thing that concerned me was the speed of delivery - worried for nothing. The text arrived within 3 days!

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Minggu, 15 Maret 2015

[A256.Ebook] PDF Ebook Form & Function: American Modernist Jewelry, 1940-1970, by Marbeth Schon

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Form & Function: American Modernist Jewelry, 1940-1970, by Marbeth Schon

This book is the catalog for two of the first major exhibits to show only modernist jewelry from such a broad group of artists. Both take place in 2008 in Fort Wayne, Indiana: one at The Fort Wayne Museum of Art (May 2 to August 24) and the other at The

  • Sales Rank: #766797 in Books
  • Brand: Brand: Schiffer Publishing
  • Published on: 2008-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x 1.20" w x 8.60" l, 3.45 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

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9 of 9 people found the following review helpful.
Another Marbeth Modernists Masterpiece!
By Mimi Dee Artwear
What a book! Just when you think you know our American Jewelry Modernists, Marbeth gives us her second book and so much more to appreciate. Her indepth knowledge of their lives and the delish jewelry photography makes one wish we owned them all. For decades without knowing about these Marvy Modernists, I have shared their passion for manipulating metal in my own primitive manner, never knowing that one day they would be introduced to me and their work would bring me such joy in the form of Marbeth's Modernist Movement Jewelry books. Collectors of vintage and contemporary Made in USA signed studio jewelry this, Ms Schon's second, is a must addition to any jewelry book library! Own it and enjoy!

0 of 0 people found the following review helpful.
Landmarks in Scholarship
By Stephen H. Borkowski
Summarizing my other review would seem redundant so I refer to it. We are all in her debt for the pioneering effort and scholarship. Her untimely death a great loss.

Stephen H. Borkowski, Chairman
Provincetown Historical Commission

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Sabtu, 14 Maret 2015

[T930.Ebook] Get Free Ebook India's Muslim Spring: Why is Nobody Talking about It?, by Hasan Suroor

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India's Muslim Spring: Why is Nobody Talking about It?, by Hasan Suroor

This book focuses on the current Muslim mood in India, particularly that of the youth who are trying to move the community into a new more positive direction. Despite a marked increase in religiosity and an assertion of Muslim identity, young Muslims are more secular and forward-looking than the older generation. They also have a strong sense of belonging to India, and see no contradiction between being proud Indians and proud Muslims at the same time.

Keen to draw a line under the past, they are harbingers of India s equivalent of Muslim spring .

  • Sales Rank: #3460091 in Books
  • Published on: 2014-01-08
  • Original language: English
  • Dimensions: 5.43" h x .71" w x 8.07" l, .66 pounds
  • Binding: Hardcover
  • 217 pages

About the Author
Hasan Suroor is a London-based journalist and has written extensively on identity politics, communalism and Muslim issues. In 1993, he won the prestigious Ford Foundation Press Fellowship at Wolfson College, Cambridge University, to study the British experience of multiculturalism. He returned to Wolfson College in 1998 as a Visiting Fellow.

A Delhi University graduate, Suroor started his career with The Statesman, Delhi, in the early 1970s when as the joke goes it was still a newspaper. Later, he moved to The Hindu and was its UK correspondent for well over a decade.

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0 of 0 people found the following review helpful.
An Unconvincing effort on India's Muslim Spring
By Raghu Nathan
I am familiar with Hassan Suroor’s essays and articles in ‘The Hindu’ on subjects related to secularism in India, Indian Muslims and Muslims in the UK. He has always been a credible journalist on these issues. However, the title of this book came as a surprise to me because I had not come across him write on this subject in the columns of ‘The Hindu’ so far. Naturally, I had to read it straight away, because secular Indians cannot have enough of the good news that the title promised - especially in today’s atmosphere of distrust and suspicion towards muslims wherever they are in a minority.

The author’s thesis in the book is briefly as follows:
There is a pleasant spring breeze blowing in the world of India’s muslims today in so far as their outlook and mood are concerned. They are no longer mired in self- pity and victimhood. Instead, young Indian Muslims are introspective and are vigorously engaging in debates on the challenges facing their 177-million strong community. They are looking for ways to pull themselves up by their own efforts instead of blaming others for their problems. The Mullahs have been gradually pushed aside in representing their community; instead, education, jobs and economic advance have taken more centre-stage in their consciousness, just as it is with Hindus, Sikhs, Christians, Jains and Parsis. As a result, the younger generation does not feel the identity crisis that their parents felt and hence feel more comfortable in asserting their ‘Muslim-ness’ by wearing the hijab or being more religious than their parents or even doing the Haj even as they are young. In this endeavour, the author calls for more support from the majority community for the flowering of this spring by not harping on muslims to answer provocative questions like, ‘are you Indian first or Muslim first?’ or accuse them as ‘Babur ki aulad’. He asks the police not to immediately pounce on young muslims and take them into custody the moment a terror attack takes place. He wants the media to give more space to these ‘modern younger muslims’ in their TV and written forms, instead of always asking a regressive mullah or an avowed political polemicist to represent the muslim viewpoint, as it happens now. Some of the young muslims whom Suroor interviewed for research on this book said to him that ‘ India is the safest and best place for Muslims to live’ and that they have never faced discrimination in India. One young man even said that the muslim leadership could have shown grace and offered to relocate the Babri mosque in order for the Hindu community to build a temple for Ram on a spot they have revered for centuries.

It is indeed heart-warming for me to read such inclusive sentiments in today’s BJP-inspired vitiated atmosphere of communal relations where I see Muslims being displaced from their homes due to the engineered riots in Muzaffarnagar and Gujarat. At the same time, I feel that the book is quite short on empirical evidence to accept that such a spring is upon us and that it is only because of the negativity of the media that we don’t experience it. For example, having come from Tamilnadu, I see empirical evidence everyday around me for the claim that the ‘reservation’ policy has made a huge difference to the Backward Castes in the state, irrespective of the media. One doesn’t see such pervasive evidence of the muslim spring yet in India. Most of the interviewees in the book are urban young muslims from Aligarh, Lucknow or Delhi. It does not include the different denominations among muslims and even the author himself says elsewhere that Indian muslims are not a single monolithic block, all thinking the same at any given time. There are no interviews with rural muslims or muslims from southern India. I would make bold to say that if northern Indian muslims feel so positive of their future, then it must be even better in the less communal and more development-focused south. But, even in Tamilnadu or Kerala, one does not easily experience such a spring in public life in the cities.

There are other points as well in the book that I have a beef with. The author, while very critical of the mullahs and Deobandi clerics, rates the demolition of the Bari Masjid as a defining moment in alienating Indian muslims. There is no doubt it is so but it is also mainly due to the mullahs raising this issue to such a life and death question, aided by well-meaning secular Hindus. Looking at it dispassionately, surely, the Gujarat 2002 pogrom or the recent riots in Muzaffarnagar are more devastating blows to the muslims than the demolition of a mosque which was not even in use. By raising the masjid demolition to such a high level, I think the author has played into the hands of the clerics he criticises. Elsewhere, the author says that today’s young muslims are pragmatic by even voting for BJP in Gujarat after 2002. The truth may be is that they are so intimidated by the thuggery of what they experienced in 2002 rather than pragmatism. The author is extremely critical of the Congress party in the way it played the muslim ‘vote bank’ under the disguise of secularism. I agree with the author on this fully. Still, when it comes to the safety and security of muslims in India, it is more likely that they will always be safer under the Congress and other secular regional parties like the DMK, AIADMK, JD(U), TMC etc instead of the BJP and its parivar. At times in the book, I felt that the message is confusing and less hopeful. On the one hand, it is about the resurgence of young muslims and the retreat of the regressive forces among Indian muslims. On the other hand, there is a contradictory message of doubt about the larger Indian polity - the people, the state, the police, the media etc - on whether they will support this spring to flourish. I believe Mr. Suroor should be more hopeful because even in the big 2014 victory of Narendra Modi, only 30% of the people voted for the BJP and even all this 30% cannot have done so for sectarian reasons. It would be impossible for any minority in India to prosper if the Hindu majority is not secular and inclusive. The fact that all Indian minorities having prospered ahead of the Hindus in living standards gives us hope for the Muslims too, however tortuous the path may be, due to the legacy of partition.

One other issue is with the question of reservations and quotas for muslims as recommended by the Ranganath Mishra Commission. Even though some of the young muslims interviewed in the book have spoken against ‘reservations and quotas’ for muslims, I wish the author had thrown in his support on this key issue. Surely, there is no doubt that muslims must be considered an economically backward community as they are the only minority group which has a lower standard of living in India than the Hindus but still not covered by affirmative action. It is important to stress that reservations will help to improve their lot just as it has done for OBCs, SCs and STs in India. All the four Southern states have reservations for muslims ( as much as 12% in Kerala) and it has gone a long way in their upliftment, whereas UP, which has a large muslim population, has no quota for muslims.

In some total, it is a ‘feel good’ book about Indian muslims. However, the author needs to write more on the subject to convince even his admirers like me!

0 of 0 people found the following review helpful.
Analysis thru tinted glasses
By Divakar Kaza
INDIA'S MUSLIM SPRING : Why is Nobody Talking about It?
- Hasan Suroor

Hasan Suroor is the ex Hindu correspondent in Europe.This book was very well rated by the literary critics and I was tempted to read it.

Book is good at problem identification...very journalistic type...but the scholarly treatment a subject like this requires is missing.

Suroor is bang on in terms of problem identification. Muslims have been exploited by the political class; India suffers a leadership deficit when it comes to Muslim political leaders; rump leaders exploit the insecurities of the minorities with imagined victimisation; no access to education and jobs; things have got worse in the post 9/11 - post Ayodhya - post Godhra world; terror and Islam being used as interchangeable worlds; . These are issues which should worry every thinking secular liberal Indian. As someone who grew up in liberal Hyderabad ( pre 1980s), I find the intolerant, Bajrang Dal/MIM mentality of India today nauseating.

Suroor picks up some anecdotal examples of modern, forward thinking Muslims and thinks that there will be change and also a revolution...hence the title Muslim Spring..I don't agree with his few examples of bright young kids working in Media, IT, Social Sector in can change the world of the 270 million muslims in India.We really need a revolution. For that we will need forward thinking, enlightened Political leaders who could be role models to the more than 70% of the population which is young. Not the uber liberals...whom the community cannot connect with nor the left wing atheist types.....what we need is balanced political leaders who love their religion, happy practicing the faith and also work..on the real issues of the community...like education / jobs/ economic upliftment.

Sachar committee recommendations which have been buried some where in the byzantine bureaucracy of ours need to be acted upon, provide access to education / vocational skills ...not in Madarassas but in good schools that will provide access to jobs ,build enterprise in the community.....and all this can happen...if some excellent leaders spring up from somewhere....problem is ..Where are the leaders...? Salman Khurshid seems to be one...but he is a bit of a light weight and his party is famous for exploiting the Muslim vote bank. Ditto for MJ Akbar....but his political choices are questionable. The MIM types are detestable..ditto for the few worthies in UP...What we need is possibly charismatic Muslims who are successful to come forward and lead them....can't think of too many....Premji ( too much of wealth at stake for him to get into politics ? Possibly someone from the world of entertainment or sports - these are places where we have so many stellar success stories of Muslims...Aamir or Shahrukh Khan ? Javed AKhthar ? or even sportsmen like Zaheer Khan...unblemished reputations and perfect role models....

With all the political parties exploiting the minority votes ....and perpetuating the status quo if not making it worse.....we need some enlightened leaders...who will focus on the right things like education, jobs, economic upliftment....and ONLY then...the real Muslim spring will happen....and I wish it happens in my lifetime....

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[J862.Ebook] Download A Midsummer Night's Dream (Cambridge School Shakespeare), by William Shakespeare, Rex Gibson

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A Midsummer Night's Dream (Cambridge School Shakespeare), by William Shakespeare, Rex Gibson

An improved, larger-format edition of the Cambridge School Shakespeare plays, extensively rewritten, expanded and produced in an attractive new design. An active approach to classroom Shakespeare enables students to inhabit Shakespeare's imaginative world in accessible and creative ways. Students are encouraged to share Shakespeare's love of language, interest in character and sense of theatre. Substantially revised and extended in full colour, classroom activities are thematically organised in distinctive 'Stagecraft', 'Write about it', 'Language in the play', 'Characters' and 'Themes' features. Extended glossaries are aligned with the play text for easy reference. Expanded endnotes include extensive essay-writing guidance for 'A Midsummer Night's Dream' and Shakespeare. Includes rich, exciting colour photos of performances of 'A Midsummer Night's Dream' from around the world.

  • Sales Rank: #155791 in Books
  • Published on: 2014-01-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .35" w x 7.44" l, .95 pounds
  • Binding: Paperback
  • 190 pages

Review

This edition of A Midsummer Night’s Dream is wonderfully lucid and thoughtful, offering supporting material that will appeal to readers from high school students to scholars. The introduction is especially thoughtful, offering, in addition to expected discussions of love, magic and imagination, an exploration of the theatrical history. The bibliography and filmography are both detailed and helpful, and the questions guide students to consider the play from many viewpoints without ever forcing an interpretation onto them.
- Annalisa Castaldo, Widener University



Even as the New Kittredge Shakespeare series glances back to George Lyman Kittredge's student editions of the plays, it is very much of our current moment: the slim editions are targeted largely at high school and first-year college students who are more versed in visual than in print culture. Not only are the texts of the plays accompanied by photographs or stills from various stage and cinema performances: the editorial contributions are performance-oriented, offering surveys of contemporary film interpretations, essays on the plays as performance pieces, and an annotated filmography. Traditional editorial issues (competing versions of the text, cruxes, editorial emendation history) are for the most part excluded; the editions focus instead on clarifying the text with an eye to performing it. There is no disputing the pedagogic usefulness of the New Kittredge Shakespeare's performance-oriented approach. At times, however, it can run the risk of treating textual issues as impediments, rather than partners, to issues of performance. This is particularly the case with a textually vexed play such as Pericles: Prince of Tyre. In the introduction to the latter, Jeffrey Kahan notes the frequent unintelligibility of the play as originally published: "the chances of a reconstructed text matching what Shakespeare actually wrote are about 'nil'" (p. xiii) But his solution — to use a "traditional text" rather than one corrected as are the Oxford and Norton Pericles — obscures how this "traditional text," including its act and scene division, is itself a palimpsest produced through three centuries of editorial intervention. Nevertheless, the series does a service to its target audience with its emphasis on performance and dramaturgy. Kahan's own essay about his experiences as dramaturge for a college production of Pericles is very good indeed, particularly on the play's inability to purge the trace of incestuous desire that Pericles first encounters in Antioch. Other plays' cinematic histories: Annalisa Castaldo's edition of Henry V contrasts Laurence Oliver's and Branagh's film productions; Samuel Crowl's and James Wells's edition of (respectively) I and 2 Henry IV concentrate on Welle's Chimes at Midnight and Gus Van Sant's My Own Private Idaho; Patricia Lennox's edition of As You Like It offers an overview of four Hollywood and British film adaptations; and John R. Ford's edition of A Midsummer Night's Dream provides a spirited survey of the play's rich film history.

The differences between, and comparative merits of, various editorial series are suggested by the three editions of The Taming of the Shrew published this year. Laury Magnus's New Kittredge Shakespeare edition is, like the other New Kittredge volumes, a workable text for high school and first year college students interested in film and theater. The introduction elaborates on one theme — Elizabethan constructions of gender — and offers a very broad performance history, focusing on Sam Taylor's and Zeffirelli's film versions as well as adaptations such as Kiss Me Kate and Ten Things I Hate About You (accompanied by a still of ten hearthtrobs Heath Ledger and Julia Stiles). The volume is determined to eradicate any confusion that a first time reader of the play might experience: the dramatis personae page explains that "Bianca Minola" is "younger daughter to Baptista, wooed by Lucentio-in-disguise (as Cambio) and then wife to him, also wooed by the elderly Gremio and Hortensio-in-disguise (as Licio)" (p.1). Other editorial notes, based on Kittredge's own, are confined mostly to explaining individual words and phrases: additional footnotes discuss interpretive choices made by film and stage productions. Throughout, the editorial emphasis is on the play less as text than as performance piece, culminating in fifteen largely performance-oriented "study questions" on topics such as disguise, misogyny, and violence.

Studies in English Literature, Tudor and Stuart Drama, Volume 51, Spring 2011, Number 2, pages 497-499.

From the Publisher
An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.

From the Inside Flap
Magic, love spells, and an enchanted wood provide the materials for one of Shakespeare's most delightful comedies. When four young lovers, fleeing the Athenian law and their own mismatched rivalries, take to the forest of Athens, their lives become entangled with a feud between the King and Queen of the Fairies. Some Athenian tradesmen, rehearsing a play for the forthcoming wedding of Duke Theseus and his bride, Hippolyta, unintentionally add to the hilarity. The result is a marvelous mix-up of desire and enchantment, merriment and farce, all touched by Shakespeare's inimitable vision of the intriguing relationship between art and life, dreams and the waking world.
Each Edition Includes:
- Comprehensive explanatory notes
- Vivid introductions and the most up-to-date scholarship
- Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
- Completely updated, detailed bibliographies and performance histories
- An interpretive essay on film adaptations of the play, along with an extensive filmography

Most helpful customer reviews

49 of 54 people found the following review helpful.
Delightful after 400 years!
By Anne Wingate
http://www.amazon.com/gp/product/B000JMLOJU/ref=cm_cr_rev_prod_img

A piece of magic on the stage or screen--or on the electronic paper!

This is probably Shakespeare's most delightful comedy, and I'm glad I have read it in several editions and seen various versions of the play on large screen, small screen, and stage. I wish schools would teach this instead of trying to get the kids to understand Romeo and Juliet and Julius Caesar. Even if they don't understand this one, they can tell that it's fun and somewhat vulgar, with Bottom running around in an ass's head and the Queen of the Fairies falling in temporary love with him. "Fairy" might not yet have had its most recent meaning, but Bottom in an ass's head suggested exactly the same thing then that it suggests now

While I was getting my doctorate in English, my Shakespeare teacher worshiped Shakespeare instead of enjoying it for what it was worth. She almost went ballistic when somebody pointed out vulgarities and slapstick in the plays, because we too were supposed to worship Shakespeare instead of analyzing him. Sorry, but I was right and she was wrong. Shakespeare was a very bawdy writer, and he enjoyed being bawdy.

DO NOT see the movie Dead Poet's Society without reading or watching this play first.

27 of 29 people found the following review helpful.
Laugh out loud funny!
By A Customer
Okay, so maybe I'm not the world's greatest living expert on Shakespeare, considering the fact that, other than this, I have only read Romeo and Juliet. But hey, I thought it was great. Characters like Bottom and Robin Goodfellow were hilarious. Shakespeare seems to know how to make a tangled mess of everyone's lives very well. It amazes me his power to make that seem funny at times and then seem incredibly sad at others. I have to say, I really enjoyed this comedy better than his tragedy. I'm reading The Taming of The Shrew next. I don't know if I can handle Hamlet or Othello right now. By the way, if you're like me and you need someone to explain Shakespeare's language to you, I highly recommend the New Folger Library Copy with explanations on the opposite page.

20 of 21 people found the following review helpful.
Magical and funny play in a fine edition
By Craig Matteson
There are many reasons for the popularity of Shakespeare's "A Midsummer Night's Dream", not the least among them is the almost unique joining of the humorous misuse of language (by the tradesman actors) and the utter beauty of language and expression (by Puck, Oberon, and Titania). One usually gets a farce of language or an attempt at the sublime. Here the music of the two enriches both.

How can one put together these four disparate plotlines into such a wonderful whole? The quartet of lovers and their mixed and varied attentions forms the basis of the plot in the comedy and it is a delightful enough farce. The squabble of Demitrius and Lysander over Hermia while Helena pines over Demitrius, Oberon and Titania's argument over one of her servants and Oberon's use of Puck to manipulate Titania's affections including Puck's mistaken application of Oberon's potion to Lysander's eyes, the pending marriage of Thesus and Hippolyta, and the wonderfully, magically awful play being put on by the tradesman for the nobles. Putting all this into a wonderful whole is an achievement that I believe is unmatched.

I do want to say that this play has suffered a great deal in our sex obsessed age. We have foisted on this play an eroticism that it does not claim for itself nor display. While the "adult" couples (Thesus & Hippolyta, Oberon & Titania) interact and talk in ways that include that aspect of their lives, the youthful couples always talk and act in ways that are concerned with propriety and modesty. Bottom is hardly the lust blinded brute depicted in modern productions. He is much more interested in eating and chatting with his Fairy friends than Titania. It is Titania who is under the influence of the magic flower who is infatuated with Bottom while he remains quite oblivious to her desires.

In any case, this is a fine edition of the work with many helps for the reader. Almost half the book is filled with introductory essays that provide background on the play and its text. The play itself is full of notes to help the reader understand idioms and definitions of words that are obscure, unique to Shakespeare, or that have changed meaning since 1596. There are four Appendices that cover source materials for the play, realigned text that the editors believe were corrupted in the sources we have for the play and the last one is the prologue to the play that Peter Quince butchers to the amusement of the nobles. The appendix provides us with the prologue with correct punctuation, as Quince should have read it.

All the background material is interesting and enriches our understanding of the play. But it is the play that matters and is so much fun to read.

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